Surgery On Acl For Dogs

Pints \u200b\u200bChanging tone (V) O Magnum Mysterium

We saw in the latest installment in the key change I -> IV (for example, C to F). Logically, we can implement that change in the smaller scales, from Vim -> IIm (eg to Dm Am ).

To achieve change in a smooth, normal is to use VI or VI7, similar to what we did in the exchange I -> V .

An example in the song You and your friend of Dire Straits . Here the initial scale is Gm (VIM) and the change is Cm (IIm), and that the trend is Bb (I):

Gm - Gm - Bb - G7 Will
you and your friend come around
Cm - Ab - Gm - Gm ...
Are you and your friend gonna get on down ... Sing

Dire Straits.

Note: The chords are Gm ( -5-5-3-3-3 3), Bb ( 1 - -3-3-3-1 1) G7 ( 3 -2-0-0-0-1), Cm (3 - -5-5-4-3 3) and Ab (4 -6-6-5-4-4) . Note that for this last line put the same settings for F , but uploading it to the appropriate contrast in this case the 4 th.

As the chord progression in the song is quite slow, only two lines make the change in tone and returns to the original.

Remember that change I -> IV, the only change of note is the seventh grade level, which becomes flat (in this case is the note The renumbered Lab.)

Originally published 22/04/2003

Digital Copy Of Blue Harvest

Argg, this week I am to work at home, putting wooden floors. 4 days of furniture shipped, packaged items, sawdust and dust.

gigs also in the works. We decided to try to host our own web: Debian mount server with Apache / PHP / MySQL , put it in the DMZ, set the bind , tweak the rules of firewall, port forward, playing with the squid , finally, the entire team.

and connecting with ssh a site to make a telnet to another and from there to nmap and review the defenses. Check that you have to get fit, and the rest is left out.

Finally, in days so it's best to listen to something quiet to allow us to concentrate.

Tomás Luis de Victoria Avila was a composer of the Renaissance polyphonic vocal works excellent religious. One of their masses is O Magnum Mysterium :



have on video pages of the score, so listen well can see the lines of each voice and lyrics. Enjoy it. Score

PDF. MP3s
Victoria.

Large Cyst On Dog's Tail

Chords (III)

Well, we've seen the 3-note chords and 4 note chords. What else is there?

To end the line, we will see the introduction of changes. An alteration is a note that should not belong to the chord (not the tone or tertiary or fifth or seventh) but added to it. No doubt you have seen out there F9 chord type or Am13. Let us explain.

The idea is simple: the number added to the chord notation indicates the disturbance that has been added. For example, the chord C4 is a C major with the fourth. As the fourth note of C is F, we must add a note to the chord F and (x- 3 -3-0-1-0).

However, you may have noticed that often use numbers above 7 (like the two examples that I put at the beginning). These numbers also indicate the note of the alteration, taking note that note 8 returns to Do (the C of the next octave), so that the chord C11 is a C major with grade 11 and change, which again is an Fa.

So what's the difference? The numbers in the second octave indicate that alteration should be placed after the second Do. Therefore, the C11 line would instead like this: (x- 3 -2-0-1-1). This chord is an F as above, but an octave higher.

Another example:

C2: (x- 3 -0-0-1-0)
C9 (x- 3 -2-0-3-0)

Since the changes are notes that are not in the chord, which normally will see are: 2, 4 and 6 (in the first octave), 9, 11 and 13 (in the second octave).

Of course, we can also add a chord alterations even belong to the diatonic scale (the 7 notes), but we can make use of the 12 full notes of the chromatic scale. For example, we have the line # AM11, which add grade 11 increased (ie, an F sharp): (x- 0 -2-2-1-2), but again we have carefully because it is easier for a sound and consistent disaster if we do not know what we are doing.

alterations add even more color and subtlety to the songs, allowing us to suggest or show different aspects or environments in a melody.

For example, inventémonos the following sequence of chords in the scale of the Sun:

Em - Bm - C - D

Note: The chords are Em ( 0 -2-2-0-0 - 0), Bm (x- -4-4-3-2 2), C (x- 3 -2-0-1-0) and D (xx-0 -2 to 3 -2).

Repeat it several times to stay well with the sound.
Now compare it with the same sequence as it sounds with some alterations including:

EM9 - BM11 - C9 - D11

Note: the chords are EM9 ( 0 -2-2-0-0-2), BM11 (x- 2 -4-4-3-0), C9 (x- 3 -2 to 0 -3 to 0) and D11 (xx-0 -2-3-3).

"Different, right? Now invent other alterations to our sequence:

Em7 - Bm9 # - C - D6

Note: chords are Em7 ( 0 -2-2-0-3-0) Bm9 # (x- -4-4-2-2 2), C (x- 3 -2-0-1-0) and D6 (xx-0 -2-0-2).
Bm9 In line # indicates that the ninth grade will be increased (C sharp), and that the scale of the Sun Do not should be sustained. In this last sequence
I put the morphological changes that produce a descending line on the second string with the notes Re - C # - C - Yes, you surely will sound a little weird.

with the changes so we can combine any note within a chord. We can even add more of a disturbance at the same chord!

another example. See how, in the following excerpt from The Planet of New Orleans of Mark Knopfler, the alterations introduced almost recreate the atmosphere of New Orleans, compared to how it would be without them:

Am9 - F • 7
Standin 'in the corner
B7 - E
of Toulouse and Dauphine
F6 - E7 +
Waitin 'on Marie
Am9 - Ondine

Am9

Sing Dire Straits.

Note: chords are Am9 (x- 0 -2-2-0-x), F × 7 (1 -x-2-2-1-x), B7 (x- 2 -4-2-4-2), E (0 -2-2-1-0-0 ), F6 ( 1-x-3-2-3-x) and E7 + ( 0 -2-0-1-1-0) (seventh and increased).

Until next time!

Originally published 04/02/2003

Gretchen Rossi Blue White Monokini

Applying the basic minor chords

seen in keeping with Article Applying basic major chords, let's counterpart smaller scale. Although we have not seen this level, I explain it away.

In the larger scale, in addition to the tonic (C) we used the IV (F) and V (G). We will now use minor chords Am (tonic), Dm (IV) and Em (V).

The minor scale matches in his notes to C major scale. His notes are:

La - Si - Do - Re - Mi - Fa - Sol

see that, indeed, contains the same notes, but we started in La, which is now the tonic.

However, the scale Most is:

La - Si - C # - Re - Mi - Fa # - G #

maintain the same intervals that in C major (a tone between each note except between the 3 rd -4 th and 7 th -8 th, there is only one semitone).

However, instead of the normal smaller scale, is usually played more harmonic minor scale, which increases the seventh by a semitone:

La - Si - Do - Re - Mi - Fa - Sol #

De Thus, the chords are used instead: Am, Dm, E.
is, Em becomes E and now the sun is G sharp.

progression we saw:
subdominant -> key -> home
would, with minor chords: Dm -> E -> Am

As occurred in the major scale, Dm is now a stable change in the tone, while the E creates tension that is resolved by re-Am (the tonic).

also remember that the common positions of these chords (with open strings) are: Dm
(xx-0 -2-3-1), E (0 -2-2-1-0-0 ) and Am (x- 0 -2-2-1-0).

let's look at an example. In The carrier of Atahualpa Yupanqui , use minor chords above, and also use the key change I -> IV (see Changing the tone IV), as always putting the tonic seventh to promote Change: A7 - Dm.

Note: A7 can be played as (x- 0 -2-0-2-0) or (x- 0 -2-2-2-3).

Am - E
dancing in the swirling waters
E - Am
the sun plays in the brightness of the stony
A7 - Dm
and encouraging the troops on the roads
Dm - Am - E - Am
the is carrier, the carrier will ...

Chorus Dm - Dm
Penalties and cows
Am - Am
go down the same path
Dm - Dm
Penalties and cows
Am - Am
go down the same path
Dm - Am
penalties are we,
E - Am
the cows are outside
Dm - Am
The sentences are to us,
E - Am
the cows are outside ...

Juliana sings Chilca.

In the song Girl The Beatles of started using minor chords. Then, we discuss the typical progression subdominant -> key -> Main the major scale, but using instead of F Dm7: Dm7 -> G7 -> C. The song ends by changing the tone I -> IV, using as always the trick of passing to the tonic minor seventh (A7 instead of Am), as discussed in the previous song.

Am - Am
Is There Anybody goin 'to listen
Am - Am
to my story
Dm - Dm
All about the girl who came to
Am - E
stay?
Am - Am
She's the kind of girl you want so much it
Am - Am
makes you sorry;
Dm - Dm
Still, you don't regret a single
Am - F
day...
Estribillo
C - C
Ah, girl!
Dm7 - G7
-
C - C
Ah, girl!
Dm7 - G7
-
Final
Dm - Dm
She's the kind of girl who puts you
A7 - A7
down when friends are there, You feel a
Dm - Dm
fool.
A7 - A7
- ...

Cantan los Beatles

Nota: chords are Am (x- 0 -2-2-1-0), Dm (xx-0 -2-3-1), E (0 -2-2-1-0-0 ), F (1 -3-3-2-1-1), C (x- 3 -2-0-1-0), Dm7 (xx 0 -2 to 1 - 1), G7 (3 -2-0-0-0-1) and A7 (x- 0 -2-0-2-0) or (x- 0 -2-2-2 - 3).

Notice how the chord F serves only to indicate the change from the lowest to the highest level. Normal G7 would have been used, but one's voice sings here (belonging to the F chord) and also good, as are the Beatles ...

Vémosnos!

Originally published 08/01/2003